Digital Accessibility

Making the Visual Experience of Typography Accessible Beyond Sight

Duration

4 weeks
Apr 2025 - May 2025

My Role

Digital Accessibility & UX Design Consultant

Team

Gloria Yang (Me), Lan-Ting Ko, Smridhi Gupta, Simran Kaur, Nandita Malhotra

OVERVIEW

OVERVIEW

OVERVIEW

Designing Beyond Sight: Making Typography Accessible Through Sound

Created in collaboration with the Cooper Hewitt Museum, this project reimagines the Bungee web-based font tester to be more inclusive and accessible. The goal was to ensure users who rely on auditory and screen reader feedback could meaningfully experience Bungee’s bold and playful design. By transforming visual expression into multi-sensory interaction, the project supports Cooper Hewitt’s mission to deliver a more equitable digital experience for all audiences.

PROBLEM

PROBLEM

PROBLEM

Typography is inherently visual, yet not everyone experiences it that way. The Bungee typeface, known for its layered colors, dimensional forms, and neon-inspired personality, presents a unique accessibility challenge: how can a design built on visual vibrancy be understood without sight?

People who depend on screen readers or auditory cues often encounter interfaces that describe only structure, not feeling or form. Without alternative sensory pathways, the expressive qualities of a typeface — its rhythm, energy, and spatial depth — remain inaccessible.

How might we translate the visual richness of the Bungee typeface into an equally expressive and meaningful experience for users who rely on sound rather than sight?

SOLUTION SNEAK PEEK

SOLUTION SNEAK PEEK

SOLUTION SNEAK PEEK

To bridge this sensory gap, we introduced:

Unfolded Control Panel

Simplified the interface by removing accordion-style toggles so all controls remain visible at once. This improved accessibility, enhanced visibility, and reduced interaction steps for both people with sight disability and people use screen readers.

Annotated Color Picker

Replaced the gradient-based color picker with a swatch-style palette labeled with descriptive text. This supports keyboard navigation and screen reader accessibility, ensuring color choices are perceivable by all users.

Guided Tutorial

Created a contextual onboarding flow that guides users step-by-step through the interface, available controls, and usage of the font tester, making it approachable and intuitive for first-time users.

Multi-Sensory Design

Introduced audio descriptions that translate visual traits like color, layering, and dimensional form into sound. This feature reimagines how rich, visual-heavy typography can be experienced through hearing as well as sight.

BACKGROUND

BACKGROUND

BACKGROUND

What is Bungee?

Bungee, created by David Jonathan Ross and collected by the Cooper Hewitt Museum, is a digital font that celebrates the vibrancy of city life. Its layered, stackable forms and playful dimensionality bring neon signage energy into typographic design.

RESEARCH

RESEARCH

RESEARCH

Understanding the Accessibility Gap

Visual impairment is far more common than most realize.

Over 51.9 million Americans experience vision loss, and more than 307,000 are completely blind. Yet most digital tools still fail to translate visual richness into non-visual forms. For a font tester, a product built around form, rhythm, and color, that gap becomes especially striking.

To bridge this gap, we looked at how artists and designers reimagine sensory experience beyond sight:

Clarke Reynolds, a blind artist, transforms letters into tactile code, allowing people to feel the structure of language.

Shannon Lin paints using audio, explores how sound can become texture, shaping visual art through rhythm and resonance.

Dolby’s audio guides, developed by Bobby Goulder, demonstrate how sound can narrate and evoke artworks with clarity and emotion.

Jack Coulter, a synesthetic artist often described as “the painter who sees music in colour,” creates work directly inspired by sound, visualizing music as vibrant, expressive brushstrokes that blur the lines between what we hear and what we see.

These examples taught us that sound and touch aren’t substitutes for sight, they’re storytelling mediums of their own.

KEY FINDINGS

KEY FINDINGS

KEY FINDINGS

From our research, two insights emerged that shaped our design direction:

Audio can guide, describe, and emotionally connect users to visual content in meaningful ways.

When thoughtfully integrated, sound can evoke the mood, rhythm, and texture of visual work.

PERSONA

PERSONA

PERSONA

Meet Amina - Museum Educator from Chicago, IL

Amina represents museum professionals and educators who are passionate about making art and design accessible to everyone. She experiences the world primarily through sound and relies on assistive technologies like screen readers and audio tours to explore visual content. Amina seeks tools that translate visual experiences into rich auditory narratives, helping her engage with design work both personally and professionally.

🖼 32-year-old museum educator in Chicago, IL

💻 Devices: iPhone, AirPods, Laptop

♿️ Disability: Legally blind since birth

🦮 Assistive Technology (AT): VoiceOver, audio tours, screen reader

ACCESSIBILITY EVALUATION

ACCESSIBILITY EVALUATION

ACCESSIBILITY EVALUATION

What Happen When Visual Richness Meets Barriers?

The Bungee Font Tester was designed for visual experimentation: layering, stacking, and color play. But for users like Amina, who navigate the world through sound and assistive technology, this experience became nearly inaccessible.

Our goal was to identify where the current design broke down and how it could evolve into something inclusive, intuitive, and expressive beyond sight.

What We Found as Challenges are ↓

Hidden Controls Limited Access

The accordion-style control panel required multiple clicks and wasn’t keyboard operable, blocking essential access for non-mouse users. Even sighted users found it unnecessarily complex.

Color Picker Depended on Vision

The gradient-based color picker lacked both keyboard navigation and non-visual descriptions, making color selection impossible for screen reader users.

Visual-Only Experience

The tester relied entirely on sight to convey form and emotion. While visual descriptions could help, they couldn’t fully capture Bungee’s lively, urban personality.

No Onboarding for New Users

Without guidance or contextual help, users were left unsure how to begin, especially those relying on screen readers.

SOLUTION

SOLUTION

SOLUTION

Translating Insights into Design Solutions

With a clearer understanding of Amina’s needs, we reimagined Bungee’s tester through multi-sensory accessibility.

Demo #1: Guided Interaction & Simplified Interface

We simplified the interface by removing the accordion layout and making all controls, like font weight, color, and orientation, visible upfront.

To help first-time users, we introduced a guided tutorial that mirrors a screen reader’s navigation flow, explaining each section step-by-step for clarity and confidence.

Demo #2: Translating Sight into Sound

We developed an audio experience that lets users “hear” typography. When a user selects font characteristics, a “Play” button translates visual features into sound, like bold weights represented by deep bass tones or vertical stacking expressed through rising notes.

This bridges sight and sound, allowing users to feel the rhythm and mood of Bungee through another sense.

Why This Approach Matters?

We saw accessibility not as a checklist, but as a creative opportunity.

By bridging visual and auditory design, we:

  • Preserved Bungee’s artistic intent through sensory translation.

  • Delivered emotional richness for all users, regardless of how they perceive.

  • Built a repeatable framework for translating other visual-first typefaces into multi-sensory experiences.

FINAL REFLECTION

FINAL REFLECTION

FINAL REFLECTION

What're Our Reflections?

This project wasn’t just about making Bungee accessible, it was about redefining what accessibility can mean. When inclusivity drives creativity, accessibility transforms from accommodation into innovation. Typography becomes not just something to see—but something to hear, feel, and experience.

Let's Get in Touch!

© Gloria Yang 2025 Copyright. All Rights Reserved.

Let's Get in Touch!

© Gloria Yang 2025 Copyright. All Rights Reserved.

Let's Get in Touch!

© Gloria Yang 2025 Copyright. All Rights Reserved.